lima
An/Other Frameworks @ REBOOT
Cultural Matter: Jonas Lund
Can contemporary art - and the production thereof - be optimized and automated? In 2013, the artist Jonas Lund made a solo exhibition based on this simple yet critical and challenging question. The Fear Of Missing Out, held at MAMA, Rotterdam, would become a landmark exhibition in which the algorithm played a leading role, a show that was of great influence on his later work. The works produced for The Fear Of Missing Out were not the direct result of Lund’s labour and ideas, but made by a computer algorithm written by him.
PART III: How to Activate the Past and (Re)Present It: Digital Canon?!
Sanneke Huisman (LIMA)
Jan Robert Leegte (Artist)
Workshop II Disk Imaging and the Preservation of Software-Based Artworks: A Practical Introduction
Wiel Seuskens (LIMA)
Tom Ensom (Digital Conservator)
How to Ask the Right Questions for the Acquisition, Documentation, Long-term Storage and Presentation of Software-Based Artworks
Gabriel Lester (Artist)
Marije Verduijn (Centraal Museum Utrecht)
Moderated by Gaby Wijers (LIMA)
Conversation on Conservation: Naked on Pluto
Naked on Pluto: When Documenting and Archiving the Past Allows for a Better Understanding of the Present
Aymeric Mansoux (Artist/Researcher)
Julie Boschat Thorez (Artist/Researcher)
PART I: Research and Practices
Mila van der Weide (LIMA) : What Net Art Needs From Documentation: Examining Arthost
Mila van der Weide / on behalf of Rachel Somers Miles : The Importance of Digital Art Distribution
Sylvia van Schaik (RCE) : Mediakunst.net
Ernst Van Velzen (Eye Filmmuseum) & Wiel Seuskens (LIMA) : A Case Study from LIMA and Eye Filmmuseum: Mixing Video Art and Film Together in One Digital Storage Facility?
Dragan Espenschied (Rhizome) : Remote Browsers
PART III: How to Activate the Past and (Re)Present It
Anne Marie Duguet (University Paris 1 Panthéon-Sorbonne) : An Anarchive Archive
Adam Lockhart (University of Dundee) : VR as an Archiving and Simulation Tool for Media Artworks
Emile Zile (Royal Melbourne Institute of Technology) : Wearing the Skin Suit: Interpretation and Reperformance of Historical Performance Art
PART II: How to Gain the Right Skills and Mindset for Preservation
Martijn van Boven (ArtEZ Institute of the Arts)
Deborah Mora (Student ArtEZ)
Agathe Jarczyk (University of the Arts Bern)
Moderated by Gaby Wijers (LIMA)
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