Found 15 works with artists containing "Bruch"

displaying details sorted by artist

Bruch, Klaus vom

  • Das Alliiertenband
    Das Alliiertenband Klaus vom Bruch
    Series of three tapes: see also: Das Propellerband / Das Duracellband / Das Alliertenband In this series of three tapes with the ultimate ironic title of 'Warum wir Männer die Technik so lieben (Why we Men adore Technology), vom Bruch questions technolog...
    1982, 10'31'', Video, Time Based Arts, MonteVideo, Nederlands Instituut voor Mediakunst, Stedelijk Museum Amsterdam, LIMA
  • Azimut
    Azimut Klaus vom Bruch
    This work was commissioned as part of the series “Talking Back to the Media” curated by Time Based Arts in 1985. With this as his starting point, Bruch makes use of the image of a rotating satellite dish to discover a more corporeal interpretation of the ...
    1985, 7'09'', Video, Time Based Arts, Nederlands Instituut voor Mediakunst, LIMA
  • Charmant Band
    Charmant Band Klaus vom Bruch
    The "Charming" title of this piece is a literal motif of this work fromKlaus vom Bruch, where the word is repeated in staccato loop such thatthe sound of the word becomes disengaged from its meaning. In the samesense, we see the classically handsome featu...
    1983, 9'51'', Video, Time Based Arts, Nederlands Instituut voor Mediakunst, LIMA
  • Das Duracellband
    Das Duracellband Klaus vom Bruch
    Series of three tapes: see also: Das Propellerband / Das Duracellband / Das Alliertenband In this series of three tapes with the ultimate ironic title of 'Warum wir Männer die Technik so lieben (Why we Men adore Technology), vom Bruch questions technolog...
    1980, 10'04'', Video, MonteVideo, Nederlands Instituut voor Mediakunst, Stedelijk Museum Amsterdam, LIMA
  • Der Geisterseher
    Der Geisterseher Klaus vom Bruch
    The title of Klaus vom Bruch’s Der Geisterseher refers to the Gothic genre of the Schauerroman and, in particular, Schiller’s Der Geisterseher: Aus den Memoires des Grafen von O** (1787-89). Klaus vom Bruch’s video compels us to compare the television set...
    1979, 15'51'', Video, Time Based Arts, Nederlands Instituut voor Mediakunst, LIMA
  • Jeder Schuss ein Treffer
    Jeder Schuss ein Treffer Klaus vom Bruch
    The artist behind his utopian-looking weapon - in reality an aerial - with which he (as it were) fires a salvo of ideas at the viewer. There are strikingly viruoso techniques from soft, half-circles fades to staccato-like successions of images. Although t...
    1984, 10'34'', Video, Time Based Arts, Nederlands Instituut voor Mediakunst, LIMA
  • Kobold's Gesänge
    Kobold's Gesänge Klaus vom Bruch
    This hermetic tape, whose images reveal little of its true nature, seems to be Vom Bruch's way of undermining the 'public nature' of TV (this work was specially made for Austrian television). Television represents a public space which paradoxically is gen...
    1986, 5'20'', Video, Time Based Arts, Nederlands Instituut voor Mediakunst, LIMA
  • Luftgeister
    Luftgeister Klaus vom Bruch
    "Airspirits" opens with scenes extracted from a war movie featuring young Ronald Reagan as a U-boat gunner. He leans behind the viewfinder of the submarine periscope, appears to take aim, and subtitles announce him taking fire. In a circular frame, the ca...
    1981, 8'27'', Video, Time Based Arts, Nederlands Instituut voor Mediakunst, LIMA
  • Petit Prelude - Kleiner Videoelephant
    Petit Prelude - Kleiner Videoelephant Klaus vom Bruch
    1984, 1'22'', Video, Time Based Arts, Nederlands Instituut voor Mediakunst, LIMA
  • Das Propellerband
    Das Propellerband Klaus vom Bruch
    Series of three tapes: see also: Das Propellerband / Das Duracellband / Das Alliertenband In this series of three tapes with the ultimate ironic title of 'Warum wir Männer die Technik so lieben (Why we Men adore Technology), vom Bruch questions technolog...
    1979, 32'03'', Video, MonteVideo, Time Based Arts, Nederlands Instituut voor Mediakunst, Stedelijk Museum Amsterdam, LIMA
  • Relatively Romantic
    Relatively Romantic Klaus vom Bruch
    The ambivalence of the title “Relatively Romantic” sets the framework for this simultaneous building up and deconstruction of the cinematic formula for romance: the Hollywood kiss. Footage from a range of classic and historic films were archived and splic...
    1984, 22'10'', Video, Time Based Arts, Nederlands Instituut voor Mediakunst, LIMA
  • Das Schleyerband Teil 2
    Das Schleyerband Teil 2 Klaus vom Bruch
    “The Schleyer tape” is a compilation of television and news footage comprising two hours of media accounts regarding the infamous Baader-Meinhof gang. Bruch’s material begins with the September 1977 kidnapping of Hanns-Martin Schleyer and the dramatic new...
    1978, 54'51'', Video, Time Based Arts, Nederlands Instituut voor Mediakunst, LIMA
  • Das Schleyerband : eine videodokumentation
    Das Schleyerband : eine videodokumentation Klaus vom Bruch
    “The Schleyer tape” is a compilation of television and news footage comprising two hours of media accounts regarding the infamous Baader-Meinhof gang. Bruch’s material begins with the September 1977 kidnapping of Hanns-Martin Schleyer and the dramatic new...
    1978, 61'25'', Video, Time Based Arts, Nederlands Instituut voor Mediakunst, LIMA
  • Tausend Küsse
    Tausend Küsse Klaus vom Bruch
    Klaus vom Bruch and Ulrike Rosenbach collected one thousand kisses of all shapes and sizes. Kisses of love, kisses to take one's leave, formal kisses and kisses of death... They edited these film kisses together into a rhythmic and changeable mise-en-scen...
    1983, 10'11'', Video, Time Based Arts, Nederlands Instituut voor Mediakunst, LIMA
  • Der Westen lebt
    Der Westen lebt Klaus vom Bruch
    Vom Bruch actually created "Der Westen Lebt" with his girlfriend at thetime, Heike-Melba Fendel, and the two of them feature in this piece intheir roles as lovers. Beginning hesitantly and cognizant of the camera,the couple embrace. They are set against a...
    1984, 4'47'', Video, Time Based Arts, Nederlands Instituut voor Mediakunst, LIMA